Jeszcze teatr, czy już kino? Jeszcze kino, czy już teatr? O przestrzeniach wideo w spektaklach Heinera Goebbelsa, Roberta Lepage'a, Jose Montalvo*

Loading...
Thumbnail Image

Date

2007

Advisor

Editor

Journal Title

Journal ISSN

Volume Title

Publisher

Wydawnictwo Naukowe UAM

Title alternative

Still theatre, or is it actually film? The use of video in Heiner Goebbels, Robert Lepage and Josś Montalvo plays

Abstract

The use of film techniques in theatre performances is no new invention. There are two distinguishable ways of doing this: in the first, media techniques are used on the stage only and bear no profound significance to the "actual core of the theatre" (Bśatrice Picon-Vallin, Les Les ścrans sur la scćne, Lausanne, 1998, p. 10), or rather, they are used to transform the "classic" theatrical approach (actor who "here and now" - immediately - expresses himself). With the second method, the use of multimedia cannot be considered as an optional part of performing arts: the introduction of multimedia creates profound theatrical relationships, although the "here and now" setting does not apply. (e.g. in the plays of Robert Lepage, Heiner Goebbels and Jose Montalvo). In view of the development and omnipresence of digital and interactive techniques, it seems that stage theatre intended to be "natural" can no longer ignore multimedia "as the actual core" of the theatrical relationship (it is not sufficient to simply show them on the stage). And similarly, the theory of stage theatre must modify its definitions in order to discuss this type of theatre which seeks to represent the relationships of today.

Description

Sponsor

Keywords

Citation

Przestrzenie Teorii, nr 7, 2007, s. 237-245.

ISBN

978-83-232177-2-5

DOI

Title Alternative

Rights Creative Commons

Creative Commons License

Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego