Dramatyczność w antycznej teorii narracji i wybranych gatunkach narracyjnych epoki cesarstwa

dc.contributor.authorBartol, Krystyna
dc.date.accessioned2013-12-30T21:44:42Z
dc.date.available2013-12-30T21:44:42Z
dc.date.issued2008
dc.description.abstractThe concept of dramaticality, re-emerged after Aristotle as a topic of rhetorical interest in the classification of narrative which extends beyond the forensic. The essential point of the Hellenistic grammarians' tripartite division of narrative was the category which comprises 'made-up events which nevertheless could have happened'. In Greek this category is often called plasma ("invention") or dramatikon. It seems to suggest that this type of narrative was a literarily elaborated and emotionally charged account of actions and characters invented by the writers, and approximated to our idea of fiction. Dramatically oriented presentation of plots was useful first of all to novelists of the Imperial period. The stress on producing a narrative sustained dramatical pattering and imagery, is also to be found in the epistolary and biographical genres of this time.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 9, 2008, s. 29-38.pl_PL
dc.identifier.isbn978-83-232-1917-0
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/9462
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleDramatyczność w antycznej teorii narracji i wybranych gatunkach narracyjnych epoki cesarstwapl_PL
dc.title.alternativeDramaticality in ancient narrative theories and in some Creek prose genre of the Imperial periodpl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego