Portretten en een oude droom van Kader Abdolah: Een etnisch gekleurde autobiografie en de ethische dimensie van het identiteitsvormingsproces

dc.contributor.authorDynarowicz, Ewa
dc.date.accessioned2013-10-30T08:33:27Z
dc.date.available2013-10-30T08:33:27Z
dc.date.issued2006
dc.description.abstractTwo problems are central to Kader Abdolah’s Portretten en een oude droom [Portraits and an Ancient Dream]: firstly, his Persian background and the problem of migration, secondly, coping with a sense of guilt. This article examines the novel’s autobiographical character as reflecting upon the identity-forming process of an emigrant. It especially focuses on narrative techniques used to depict the complexity of this process and on the role of the Other in creating one’s self-image. The second section of the article is devoted to the ethical dimension of a particular identity and the problem of reconciliation with oneself. The reading strategy applied to analyse this aspect of Abdolah’s novel takes the philosophy of Paul Ricoeur as presented in Soi-meme comme un autre as a central point of departure.pl_PL
dc.identifier.citationWerkwinkel, 2006 (1)1, pp. 85-100pl_PL
dc.identifier.issn1896-3307
dc.identifier.urihttp://hdl.handle.net/10593/7994
dc.language.isootherpl_PL
dc.publisherZakład Studiów Niderlandzkich i Południowoafrykańskich, Wydział Anglistyki UAM / Wydawnictwo Naukowe Exemplumpl_PL
dc.titlePortretten en een oude droom van Kader Abdolah: Een etnisch gekleurde autobiografie en de ethische dimensie van het identiteitsvormingsprocespl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego