Fenomen czwartego wymiaru w twórczości Jerzego Kuci
Loading...
Date
2011
Authors
Advisor
Editor
Journal Title
Journal ISSN
Volume Title
Publisher
Wydawnictwo Naukowe UAM
Title alternative
Phenomenon of fourth dimension in the work of Jerzy Kucia
Abstract
The article is an attempt to look at all the achievements of the Polish filmmaker – Jerzy Kucia –
through the prism of his last work, Strojenie instrumentów/Tuning the Instruments (2000). The
author points out that all the director’s previous projects, starting with the debut of 1972
Powrót/Return until Refleksy/Reflections from 1979 through Przez pole/By the field from 1992,
showed a very clear development of the creative personality of the artist, who claimed that the
“close up” on their own topics is the result of heightened self-awareness and is a great effort to
promote himself again and again. In the analysis of the film Strojenie instrumentów/Tuning the
Instruments, the author refreshes old and new contexts of interpretation, coupled with the commitment
issue, which is a metaphorical return to the past. A question about the essence of the
functioning of consciousness leads the author to delve into the phenomenological concept that we
find in contemporary theories of psychology of perception.
Description
Sponsor
Keywords
Citation
Przestrzenie Teorii, nr 15, 2011, s. 243-256
Seria
ISBN
ISBN 978-83-232-2293-4
ISSN
1644-6763