Fenomen czwartego wymiaru w twórczości Jerzego Kuci
| dc.contributor.author | Grodź, Iwona | |
| dc.date.accessioned | 2012-01-25T11:41:16Z | |
| dc.date.available | 2012-01-25T11:41:16Z | |
| dc.date.issued | 2011 | |
| dc.description.abstract | The article is an attempt to look at all the achievements of the Polish filmmaker – Jerzy Kucia – through the prism of his last work, Strojenie instrumentów/Tuning the Instruments (2000). The author points out that all the director’s previous projects, starting with the debut of 1972 Powrót/Return until Refleksy/Reflections from 1979 through Przez pole/By the field from 1992, showed a very clear development of the creative personality of the artist, who claimed that the “close up” on their own topics is the result of heightened self-awareness and is a great effort to promote himself again and again. In the analysis of the film Strojenie instrumentów/Tuning the Instruments, the author refreshes old and new contexts of interpretation, coupled with the commitment issue, which is a metaphorical return to the past. A question about the essence of the functioning of consciousness leads the author to delve into the phenomenological concept that we find in contemporary theories of psychology of perception. | pl_PL |
| dc.identifier.citation | Przestrzenie Teorii, nr 15, 2011, s. 243-256 | pl_PL |
| dc.identifier.isbn | ISBN 978-83-232-2293-4 | |
| dc.identifier.issn | 1644-6763 | |
| dc.identifier.uri | http://hdl.handle.net/10593/1870 | |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Naukowe UAM | pl_PL |
| dc.title | Fenomen czwartego wymiaru w twórczości Jerzego Kuci | pl_PL |
| dc.title.alternative | Phenomenon of fourth dimension in the work of Jerzy Kucia | pl_PL |
| dc.type | Artykuł | pl_PL |