Nauka i sztuka. Wokół konserwatorskich prac nad płaskorzeźbą Stanisława Wyspiańskiego pt. Macierzyństwo wykonaną w plastelinie
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Date
2008
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Wydawnictwo Naukowe UAM
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The problems connected with the conservation of Stanisław Wyspianski's bas-relief Macierzyństwo [Motherhood] executed in plasticine - science and art
Abstract
The problem undertaken in this article concerns a complicated, but also an extremely interesting
both for science and the art of conservation of the repair of a bas-relief of a sculpture Macierzyństwo
[Motherhood] executed in plasticine by Stanisław Wyspiański in 1902. Due to the untypical
material which was used to make this relief, there are no practical examples of conservation and
references in literature, this conservation work should be treated as a certain kind of experiment
in art conservation which belongs to the realm of art, but which is also carried out based on
scientific methods.
During conservation work on this relief particularly protected were numerous fingerprints of
Wyspiański himself which he had left on the sculpture. These carriers of historical memory of the
great master, invest the masterpiece with a specific character of the texture of a bas-relief and
offer a closer contact of the viewer with the deceased artist and his work of art.
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Citation
Przestrzenie Teorii, nr 9, 2008, s. 207-213.
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ISBN
978-83-232-1917-0
ISSN
1644-6763