Metafora w kulturze popularnej. Przypadek graffiti

dc.contributor.authorKraska, Mariusz
dc.date.accessioned2013-12-30T18:02:43Z
dc.date.available2013-12-30T18:02:43Z
dc.date.issued2007
dc.description.abstractThe author acknowledges graffiti as a medium creating its own situation of communication. Referring to Scott Lash conception of regime of signification, he underlines that graffiti is critical and destructive to official cultural discourse. This is a kind of anarchistic revolt which is shown within graffiti by a metaphor. It means, unlike to other writings of culture, invalidation of a cognitive function to pragmatic one. One can prove that graffiti metaphor, as a kind of activity, is mainly used in language and through it. In the field of poetics it is presented by destruction of generaƂ language forms, irony and humor, quotation and spelling variations as well as vulgarisms and purnonsens.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 7, 2007, s. 159-171.pl_PL
dc.identifier.isbn978-83-232177-2-5
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/9330
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleMetafora w kulturze popularnej. Przypadek graffitipl_PL
dc.title.alternativeMetaphor in popular culture. The case of graffitipl_PL
dc.typeArtykuƂpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa WyĆŒszego