Od teatru okrucieństwa do Grand Guignolu. Śmierć w kinie Andrzeja Żuławskiego
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Date
2005
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Wydawnictwo Naukowe UAM
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From the theatre of cruetty to Grand Guignol. Death in the cinema of Andrzej Żuławski
Abstract
This essay shows the motif of death in the film works of Andrzej Żuławski in the perspective of
the theatre of horror. Starting with Trzecia część nocy (The Third Part of the Night) (1971) until
his late work Szamanka (The Shaman Woman) (1996), this film work is shown as evolving from
the patronage of the conception of art of Antonin Artaud, serving the transformation of man up to
its peculiar autoparody, which is closer to Grand Guignol. The author proves that escalation of
cruelty in his works gradually loses its artistic pretext (justification) ceases to be artistically justified
(no longer find artistic justification).
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Citation
Przestrzenie Teorii, nr 5, 2005, s. 205-212
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ISBN
978-83-232-2077-0
ISSN
1644-6763