Malarz życia ponowoczesnego. O fotografiach Michaela Wolfa

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dc.contributor.authorKasperek, Ewa
dc.date.accessioned2013-08-05T06:32:16Z
dc.date.available2013-08-05T06:32:16Z
dc.date.issued2012
dc.description.abstractThe painter of postmodern life. On Michael Wolf’s photographs The essay presents the work of contemporary German photographer Michael Wolf, acclaimed for his Series of Unfortunate Events originating from Google Street View photos. The recurring motifs of Wolf’s projects discussed in the text include the problem of public voyeurism, a tension between reality and fiction as well as the role of the artist perceived as a copyist/original author.pl_PL
dc.identifier.citationStudia Kulturoznawcze, 2012, nr 1(2), s. 131-150.pl_PL
dc.identifier.issn2084-2988
dc.identifier.urihttp://hdl.handle.net/10593/7509
dc.language.isoplpl_PL
dc.publisherWydawnictwo Wydziału Nauk Społecznych Uniwersytetu im. Adama Mickiewicza w Poznaniupl_PL
dc.relation.ispartofseriesStudia Kulturoznawcze;
dc.subjectfotografiapl_PL
dc.subjectsztuka zawłaszczaniapl_PL
dc.subjectvoyeuryzmpl_PL
dc.subjectflâneryzmpl_PL
dc.subjectGoogle Street Viewpl_PL
dc.titleMalarz życia ponowoczesnego. O fotografiach Michaela Wolfapl_PL
dc.typeArtykułpl_PL

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Studia Kulturoznawcze, 2012, nr 1(2)