Rozmowa z samym sobą (do potomności)
| dc.contributor.author | Jaworski, Stanisław | |
| dc.date.accessioned | 2013-12-30T21:33:42Z | |
| dc.date.available | 2013-12-30T21:33:42Z | |
| dc.date.issued | 2008 | |
| dc.description.abstract | A dialogue of the author with himself/herself, with his/her own text can proceed as an utterance about intentions or about something that has already been written. This is as if a meeting with the Other, and an attempt at understanding him. Or a rejection. What is meant in this work is to look at this on several selected examples. And so in Przyboś theory became rather a testing ground for the new ideas. Since Kundera wrote that a novel introduces "the wisdom of uncertainty" then one might ask, e.g. whether in his The Art of the Novel he takes up a polemic with his own texts, just there where they border on certainty? However, Immortality, written a little bit later than The Art of the Novel, is already a game with this programme, with one's own past. Here a game of unreality goes with the reader. In Stefan Chwin's Kartki z dziennika [Pages from a Diary] this form of loose pages is a particular form of utterance. Going back to his texts, Chwin clearly shows his reluctance to be subordinated to some one sense; he shows the polyphony of texts (Złoty Pelikan [A Golden Pelican]). These voices are even more multiplied along with every utterance of the author or of the critics. | pl_PL |
| dc.identifier.citation | Przestrzenie Teorii, nr 9, 2008, s. 83-91. | pl_PL |
| dc.identifier.isbn | 978-83-232-1917-0 | |
| dc.identifier.issn | 1644-6763 | |
| dc.identifier.uri | http://hdl.handle.net/10593/9444 | |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Naukowe UAM | pl_PL |
| dc.title | Rozmowa z samym sobą (do potomności) | pl_PL |
| dc.title.alternative | A conversation with oneself (to posterity) | pl_PL |
| dc.type | Artykuł | pl_PL |
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