Przeciwko autorytetowi tekstu II: Anatomia Tytusa Heinera Mullera i performatywny wymiar tekstu dla teatru

dc.contributor.author	Borowski, Mateusz
dc.date.accessioned	2013-12-30T21:52:10Z
dc.date.available	2013-12-30T21:52:10Z
dc.date.issued	2008
dc.description.abstract	Muller's manifold critical relationship with the tradition of playwriting allows seeing his Anatomy Titus Fall of Rome as a borderline case between the canonical form of drama and the text understood as the raw material for the stage. The complex structure of Muller's text may serve as a good material for demonstrating that the structure of the text for the stage is always conditioned on the one hand by the dominant theatre conventions and on the other hand by the receptive habits of the audience. The main objective of the present essay is to demonstrate that the theatrical character of a text is not an immanent feature of its form, but rather it is a manner of reading this text in a specific historical and theatrical context, with a specific purpose in view.	pl_PL
dc.identifier.citation	Przestrzenie Teorii, nr 9, 2008, s. 179-192.	pl_PL
dc.identifier.isbn	978-83-232-1917-0
dc.identifier.issn	1644-6763
dc.identifier.uri	http://hdl.handle.net/10593/9489
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Naukowe UAM	pl_PL
dc.title	Przeciwko autorytetowi tekstu II: Anatomia Tytusa Heinera Mullera i performatywny wymiar tekstu dla teatru	pl_PL
dc.title.alternative	Against the authority of the Text II: Heiner Muller's Anatomy Titus Fall o f Rome and the political dimension of the theatricality of the text for the stage	pl_PL
dc.type	Artykuł	pl_PL

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