Accents of Chopin anniversaries in territories annexed by Prussia
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Date
2010
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Katedra Muzykologii, Wydawnictwo Naukowe PTPN, Wydawnictwo Naukowe UAM
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Abstract
This article discusses the way in which the Chopin Year of 1910 was celebrated
in Wielkopolska. It presents a script prepared in the nineteenth century and
shows similarities with celebrations of Mickiewicz and other Polish heroes and artists.
Invariably used in such commemorations was a “symbolic capital” that made it easier
to create an intergenerational code, thereby disseminating knowledge of national
culture and history.
A significant role was played in 1910 by a centenary panel, which produced “Guidelines
for popular Chopin celebrations” and also many occasional, popular materials.
Chopin’s induction into the national pantheon involved the use of audio material (vocal
and instrumental concerts), verbal material (articles, poems, lectures and brochures)
and also a visual code (anniversary window stickers, tableaux vivants or tableaux
illuminés). Illuminated pictures – recommended by a catalogue of slides produced
in Poznań – stimulated the imagination of the masses and served as a guide
through the composer’s life and work, and their impact was enhanced by a commentary.
Most of the living pictures were probably inspired by Henryk Siemiradzki’s canvas
Chopin grający na fortepianie w salonie księcia Radziwiłła [Chopin playing the
piano in Prince Radziwiłł’s salon] and Józef Męcina Krzesz’s painting Ostatnie akordy
Chopina [Chopin’s last chords]. This combination of codes made it possible to create a
model adapted to the times and to the expectations of a mass audience. The Chopin
anniversary, in which admiration was inseparably intertwined with manipulation, was
a pretext for strengthening the national identity.
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Keywords
Chopin Fryderyk, anniversary, Wielkopolska, concerts, tableaux vivants, tableaux illuminés, mass audience
Citation
Interdisciplinary Studies in Musicology 9, 2010, pp. 165-175.
ISBN
978-83-232-2148-7