Obraz filmowy jako dzieło sztuki
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Date
2003
Authors
Advisor
Editor
Journal Title
Journal ISSN
Volume Title
Publisher
Wydawnictwo Naukowe UAM
Title alternative
Film image as a work of art
Abstract
The language of film art, or the artistic language of cinematography, is not a separate kind of
language of moving images. It is only its specific kind whose basic function consists in looking
for the ever newer layers of cinematographic expression in film, TV spectacle, video-art, "light,
music and sound" performance and the like. The work of art of the moving image appears to be
an utterance constructed in a peculiar manner. Signs used in it become signs of signs, images
shown are images of images. Such a work, due to the specificity of its formation is characterised
by information capability which is considerably higher than that of an ordinary non-artistic communication.
The model of reality contained in it is richer, which results from a much deeper
combination of elements co-creating its structure and its characteristic expression. Many meanings
as a semantic principle and as an element of the art of moving images which is of main
importance, distinguishes the work of this art from all the other kinds of cinematographic communications,
which generally avoid the effect of many meanings.
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Citation
Przestrzenie Teorii, nr 2, 2003, s. 179-189
Seria
ISBN
978-83-232-2077-0
ISSN
1644-6763