"Brzoza" – filmowy "Gesamtkunstwerk" Ante Babai

dc.contributor.authorPająk, Patrycjusz
dc.date.accessioned2012-11-12T12:17:48Z
dc.date.available2012-11-12T12:17:48Z
dc.date.issued2012
dc.description.abstractThe Birch Tree (1967), directed by Ante Babaja, is one of the most outstanding achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism. The work is inspired by Slavko Kolar’s rural prose, naive paintings by artists from Hlebine and north Croatian folk rites and songs. In this film, Babaja presents a naturalistic interpretation of rural existence, where the human spirit is stifled by dull material and inert nature. The Birch Tree is also an example of a film Gesamtkunstwerk that combines notonly the elements of various arts (painting, literature, music, theatre), but also two historical-cultural models of artistic creation: the modernist and the folk.pl_PL
dc.identifier.citationPoznańskie Studia Slawistyczne, 2012, nr 2, s.213–230pl_PL
dc.identifier.isbn978-83-232-2409-9
dc.identifier.issn2084-3011
dc.identifier.urihttp://hdl.handle.net/10593/3718
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectBabajapl_PL
dc.subjectCroatian filmpl_PL
dc.subjectGesamtkunstwerkpl_PL
dc.subjectNaturalismpl_PL
dc.subjectModernismpl_PL
dc.title"Brzoza" – filmowy "Gesamtkunstwerk" Ante Babaipl_PL
dc.title.alternative"The Birch Tree" – Ante Babaja’s film "Gesamtkunstwerk"pl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego