Kolażowa tożsamość medialna
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Date
2008
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Publisher
Wydawnictwo Naukowe UAM
Title alternative
The collage media identity
Abstract
Mirrors and screens have affected the specific of knowing, especially of dramatical characters'
selfknowing. The personages are trying to walk through selfknowing, they are searching their
identity asking themselves where is their "ego". They want to see their real image in the mirror
reflections. The process of growing the identity up which has taken place in the confrontation
with the mirror reflection that calls Lacan's interpretation, who tells about Mirror Phase as an
indispensable stage of "me" moulding. But the anagnorisis can't take place anymore. The character
in mirror-screened space faces the problem of creating his own "ego" not only from the fragment
of the reality given to him directly in the dialogue and relations with other characters but
also in the face of his mirror's reflection and copies in video projections. Besides selfknowing -
inspiration, the problem of selfreflection in its works also appears. The memory is also the sort of
mirror where the written pictures sometimes blur. In the contexts of contemporary "screened"
dramas, the identity of character reaches the stage which we can call multicomplications. The
character is shown as a dynamic dramatical space - the battle between the subject sphere and
the object sphere. Breakdown and the lack of cohesion become the leading rule of character's
creating, where in the end looks like collage. New dramatical identity has arisen - the collage
media identity.
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Citation
Przestrzenie Teorii, nr 10, 2008, s. 75-103.
Seria
ISBN
978-83-232-1946-0
ISSN
1644-6763