„Ślub” w manierze performatywnej
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Date
2013
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Wydawnictwo Naukowe UAM
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Ślub in a performative style
Abstract
By approaching Ślub (The Marriage) as an epistemological dilemma of a human being who has
been caught in a trap of the stage, the author proposes to reread and interpret a new W. Gombrowicz’s
drama from a performative perspective. While relating to the title of Tadeusz Kantor’s
cricotage Ślub w manierze konstruktywistycznej i surrealistycznej (A Wedding in the Constructivist
and Surrealistic Style), the author aims to demonstrate the multi-faceted performative impact
of Gombrowicz’s drama within the context of the dissolution of the principles and referential
forms of metatheater.
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Citation
Przestrzenie Teorii, 2013, nr 20, s. 145-154
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ISBN
978-83-232-2654-3
ISSN
1644-6763