„Ślub” w manierze performatywnej
| dc.contributor.author | Krajewska, Anna | |
| dc.date.accessioned | 2014-08-14T11:26:41Z | |
| dc.date.available | 2014-08-14T11:26:41Z | |
| dc.date.issued | 2013 | |
| dc.description.abstract | By approaching Ślub (The Marriage) as an epistemological dilemma of a human being who has been caught in a trap of the stage, the author proposes to reread and interpret a new W. Gombrowicz’s drama from a performative perspective. While relating to the title of Tadeusz Kantor’s cricotage Ślub w manierze konstruktywistycznej i surrealistycznej (A Wedding in the Constructivist and Surrealistic Style), the author aims to demonstrate the multi-faceted performative impact of Gombrowicz’s drama within the context of the dissolution of the principles and referential forms of metatheater. | pl_PL |
| dc.identifier.citation | Przestrzenie Teorii, 2013, nr 20, s. 145-154 | pl_PL |
| dc.identifier.isbn | 978-83-232-2654-3 | |
| dc.identifier.issn | 1644-6763 | |
| dc.identifier.uri | http://hdl.handle.net/10593/11333 | |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Naukowe UAM | pl_PL |
| dc.title | „Ślub” w manierze performatywnej | pl_PL |
| dc.title.alternative | Ślub in a performative style | pl_PL |
| dc.type | Artykuł | pl_PL |