Spiritual and Corporeal Nature of Body in Drama “The Seagull” of Anton P. Chekhov

dc.contributor.authorWaligorska-Olejniczak, Beata
dc.contributor.editorVershinina, L. W.
dc.date.accessioned2014-09-19T14:16:09Z
dc.date.available2014-09-19T14:16:09Z
dc.date.issued2011
dc.description.abstractThe paper focuses on the interpretation of gestures in the drama "The Seagull" perceived as the specific Chekhovian language which sometimes turns out to be more meaningful than the verbal sphere of his plays. We analyse behavioural sphere of the characters in relation to the concept of spiritual nature of the body described by Alexander Lowen. We come to the conclusion that economical kinetics in Chekhov's plays constitutes one of the features which allows the poetics of the Russian playwright to be described as the poetics of negation, poetics of denying. It seems that the most adequate metaphor of the Chekhovian gesture could be the Lotman's notion of "meaningful absence" emphasizing the potential of the work which cannot reach its highest level, the stimulus for the deepened analysis of the text.pl_PL
dc.identifier.citationВысшее гуманитарное образование XXI века: проблемы и перспективы. Материалы шестой международной научно-практической конференции. 2011, pp. 72-76.pl_PL
dc.identifier.isbn9785842808717
dc.identifier.urihttp://hdl.handle.net/10593/11506
dc.language.isoenpl_PL
dc.subjectGreat Theatre Reformpl_PL
dc.subjectSeagullpl_PL
dc.subjectWielka Reforma Teatralnapl_PL
dc.subjectMewapl_PL
dc.subjectChekhovpl_PL
dc.subjectCzechowpl_PL
dc.subjectAleksander Lowenpl_PL
dc.subjectRussian Theatrepl_PL
dc.subjectYuri Lotmanpl_PL
dc.subjectJurij Łotmanpl_PL
dc.titleSpiritual and Corporeal Nature of Body in Drama “The Seagull” of Anton P. Chekhovpl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego