Fenomen rozmowy w dramacie

dc.contributor.author	Jarząbek, Dorota
dc.date.accessioned	2013-12-29T15:05:42Z
dc.date.available	2013-12-29T15:05:42Z
dc.date.issued	2006
dc.description.abstract	The subject of this article is the departure of drama in the direction of conversation - a linguistic fact of great existential and social importance. Although conversation itself seems to be nondramatic, in fact it revolutionises the concept of time, space, action, forming separate genres and trends in drama. The author distinguishes three models of conversational drama (in which a conversation became either a subject or a building material of the whole work of drama): the theatre of amorous conversation (A. de Musset, C. Norwid), theatre of intellectual confrontation (conversation in the drama of ideas in G.B. Shaw's style), theatre discussing its own status and functions (an improvisation/impromptu genres). Thus, the drama based on the autonomy of conversation is not a 20th century invention, although its old, intellectual and rhetoric models have been replaced by modern categories: of body and voice.	pl_PL
dc.identifier.citation	Przestrzenie Teorii, nr 6, 2006, s. 267-274	pl_PL
dc.identifier.isbn	978-83-232-2077-0
dc.identifier.issn	1644-6763
dc.identifier.uri	http://hdl.handle.net/10593/9143
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Naukowe UAM	pl_PL
dc.title	Fenomen rozmowy w dramacie	pl_PL
dc.title.alternative	Phenomenon of conversation in drama	pl_PL
dc.type	Artykuł	pl_PL

Files

Now showing 1 - 1 of 1

Now showing 1 - 1 of 1