Wyobraźnia wzrokowa Paula Celana - das Aug, dunkel

dc.contributor.authorNowakowski, Grzegorz
dc.date.accessioned2013-12-30T09:02:49Z
dc.date.available2013-12-30T09:02:49Z
dc.date.issued2005
dc.description.abstractThe article "The Visual Imagination of Paul Celan - das Aug, dunkel" raises the problem of the poet's search for language and "the place, from where you can see the best perspective". It shows the number of methodological dilemmas which inevitably result from analysing the visual imagination. It speaks of "the eye" understood as the crucial element of Celan's poetics. The author questions in his article the common percepcion of Celan as a poet of Shoah (as if) shifting the momentum to the eye. The eye, reduced in the very grammatical form of the word (Auge is turned into Aug), gives the unity to Celan's work. The eye, the restless wanderer, accompanies this poetry from the first to the last poem. The author of the article ventures to elucidate various aspects of the use of the organ of vision in Celan's poetry and draws a conclusion that the consistent theory of visual perception is central to Celan's work.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 5, 2005, s. 161-169pl_PL
dc.identifier.isbn978-83-232-2077-0
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/9180
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleWyobraźnia wzrokowa Paula Celana - das Aug, dunkelpl_PL
dc.title.alternativeThe visual imagination of Paul Celan - das Aug, dunkelpl_PL
dc.typeArtykułpl_PL

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