Boska władza reżysera. Karel Hugo Hilar – pierwszy nowoczesny reżyser w czeskim teatrze

dc.contributor.authorCzachór, Sylwia
dc.date.accessioned2014-01-29T08:41:36Z
dc.date.available2014-01-29T08:41:36Z
dc.date.issued2013
dc.description.abstractThe aim of this research was to characterize changes in the perception of a function of theatre director at the begging of the 20th century. The Czech theatrical culture taking the pattern of great European theatre reformers of thattime, created a genuine theatrical theory of directing. Its first representative and implementer was Karel Hugo Hilar. His work was based on an assumption that a director is the highest instance in a preparation of performance, that can be compared only to a role of a sovereign. Moreover, Hilar was the first in the Czech cultural context to call a director the creator of a scenic reality. A reality that would represent a current world view transformed by theatrical means and the creative imagination of an artist.pl_PL
dc.identifier.citationPoznańskie Studia Slawistyczne, 2013, nr 5, s. 75–87pl_PL
dc.identifier.isbn798-83-232-2636-9
dc.identifier.issn2084-3011
dc.identifier.urihttp://hdl.handle.net/10593/9932
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subject20th century Czech theatrepl_PL
dc.subjectHilarpl_PL
dc.subjectReinhardtpl_PL
dc.subjectCraigpl_PL
dc.subjecttheatre directing theorypl_PL
dc.subjectscenic realitypl_PL
dc.titleBoska władza reżysera. Karel Hugo Hilar – pierwszy nowoczesny reżyser w czeskim teatrzepl_PL
dc.title.alternativeThe Divinity of Director’s Power. Karel Hugo Hilar – the First Modern Czech Theatre Directorpl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego