„To” Magdaleny Tulli
| dc.contributor.author | Wiegandt, Ewa | |
| dc.date.accessioned | 2014-12-15T11:58:53Z | |
| dc.date.available | 2014-12-15T11:58:53Z | |
| dc.date.issued | 2013 | |
| dc.description.abstract | The article analyses and interprets "Włoskie szpilki" [Italian High Heels] in the context of autobiographic writing, which is a new phenomenon in Tulli’s creative development. The analysis of autobiographical writing consists in a description of subject-construction. The construction is determined by combination of roles: the real author, the literary author, and the narrator-character. The style of the novel is characterized by the use of Holocaust topoi, and “March talk”, which leads the writer to the discovery that Polish post-war antisemitism castigates Jews for concealing their extraction. The aesthetic of postmemory, manifested in the novel, is interpreted as a transition from the modern rhetoric of inexpressibility and unutterableness, to the postmodern aesthetic of expression of what is absent. | pl_PL |
| dc.description.journaltitle | Poznańskie Studia Polonistyczne. Seria Literacka | pl_PL |
| dc.identifier.citation | Poznańskie Studia Polonistyczne. Seria Literacka, 2013, nr 22, s. 143-156 | pl_PL |
| dc.identifier.issn | 1233-8680 | |
| dc.identifier.uri | http://hdl.handle.net/10593/12363 | |
| dc.language.iso | pl | pl_PL |
| dc.subject | Magdalena Tulli | pl_PL |
| dc.subject | autobiographical writing | pl_PL |
| dc.subject | Holocaust | pl_PL |
| dc.subject | Polish antisemitism | pl_PL |
| dc.title | „To” Magdaleny Tulli | pl_PL |
| dc.title.alternative | „It” by Magdalena Tulli | pl_PL |
| dc.type | Artykuł | pl_PL |