„Tworki” Marka Bieńczyka jako powieść gatunkowa
| dc.contributor.author | Marecki, Piotr | |
| dc.date.accessioned | 2013-06-04T09:46:04Z | |
| dc.date.available | 2013-06-04T09:46:04Z | |
| dc.date.issued | 2012 | |
| dc.description.abstract | The article’s author analyses Marek Bieńczyk’s novel Tworki (1999), using tools from genre theory and challenging the prevailing view of Bieńczyk as a postmodernist, the pantextualism of his literature, and his adherence to “non-epic prose.” Bieńczyk’s novel is contextualized as a drawnout story (gawęda), mystery story, bildundsroman. It is shown how Bieńczyk uses established genres to assemble the elements of a narrative universe (the narrator, protagonist, intrigue), and the way he handles the epic aspects of his literature. Particular emphasis is placed on an analysis of the vaudeville-cabaret layers of the novel, everything borrowed from popular culture and used to re-narrate the trauma of the Holocaust. In this respect, Bieńczyk’s novel is considered to be one of the bravest works in Polish post-1989 literature. | pl_PL |
| dc.identifier.citation | Przestrzenie Teorii, nr 18, 2012, str. 101-133 | pl_PL |
| dc.identifier.isbn | 978-83-232-2479-2 | |
| dc.identifier.issn | 1644-6763 | |
| dc.identifier.uri | http://hdl.handle.net/10593/6409 | |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Naukowe UAM w Poznaniu | pl_PL |
| dc.title | „Tworki” Marka Bieńczyka jako powieść gatunkowa | pl_PL |
| dc.title.alternative | Tworki of Marek Bieńczyk as a genre story | pl_PL |
| dc.type | Artykuł | pl_PL |