Browsing by Author "Jauksz, Marcin"
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Item „Geniusz jutra na atomy rozbity”. O epokowych diagnozach Piotra Chmielowskiego i Antoniego Langego(2012) Jauksz, MarcinThe article presents an unofficial discussion that took place between one of the most prominent Polish critics of the late 19th century and Antoni Lange, a raising poet of the 90s, whose work had gained little attention from the older colleague. Mentioned briefly in Chmielowski’s "Współczesni poeci polscy" in 1895, Lange responded to some of the critic’s conceptions concerning the contemporary poetry and presented his own (contradictory) analysis in an article published shortly afterwards. Chmielowski did not respond to that directly, however, his review of Lange’s volume of poetry published at the time and the will to defend his claims using the adversary’s poetry as a pretext shows that the young poet had succeeded in provoking the respected critic to take defensive position. The two writers, discussing an ongoing ‘crisis’ of poetry, present their own perspectives on the roots of the situation. Chmielowski’s claims from the beginning of the 20th century prove that the dispute, unofficial as it was, was won by Antoni Lange.Item Krytyka dziewiętnastowiecznego rozumu. Źródła i konteksty Pałuby Karola Irzykowskiego(2010-05-05T10:36:25Z) Jauksz, Marcin; Okulicz-Kozaryn, Radosław. PromotorThe author interprets one of the crucial novels of the Young Poland in the context of prominent nineteenth and twentieth century literary works in order to show its prominent aspect – the fact of its being a document of its author experience. Due to the setting of The Hag alongside the literary pieces of Henryk Sienkiewicz, Stendhal, Stanisław Brzozowski, Edgar Alan Poe, Kazimierz Przerwa-Tetmajer and Wacław Berent and the work of philosophers like Immanuel Kant, Arthur Schopenhauer, Friedrich Nietzsche and Ernst Mach it is possible to show the point of Karol Irzykowski’s experiment and its very important connection between his work, which has been thought of as polemical towards the Young Poland, and its literary times, to which it owes, as it is proven, more than a lot. The new interpretation of the self-referential parts of The Hag establishes a significant relation towards its author biography as the important origin of Irzykowski’s “poetry” and enables to define a new concept of author’s subject within a work of art which the writer wanted to create.Item Między idealizmem i naturalizmem. Jana Gnatowskiego i Józefa Kotarbińskiego dyskusja o modelu literatury i krytyki nowoczesnej(Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, 2023) Jauksz, Marcin; Panek, SylwiaThe book presents the debate on the meaning of realism and naturalism for European and Polish literature. Jan Gnatowski’s 1878 study O realizmie w literaturze nowoczesnej (On Realism in Modern Literature) is a fundamental, though marked worldview, analysis of French 19th c. novels – from Musset, through Balzac and Flaubert, up to Daudet and Zola. This conservative attempt at analysis met with strong opposition from the positivist camp – its chief proponent being Józef Kotarbiński, who in 1879 published the article Wstecznictwo w krytyce literackiej (Backwardness in Literary Criticism). This edition contains the complete reprint of these two texts together with a commentary that shows Gnatowski, although strong in his judgments, reads texts ideologically foreign to him carefully – even with a certain fascination. Kortabiński when defending realism’s right to exist, however, approaches these uncompromising stories with a marked distance.Item Mojżesz i inni. Echa rewolucji 1905 roku w literaturze polskiej i ukraińskiej z początku XX wieku(Wydawnictwo-Drukarnia Bonami/Pracownia Komparatystyki Literackiej IFP UAM, 2011) Jauksz, MarcinInspirując się poematem Ivana Franki pt. Mojżesz, autor artykułu wskazuje na znaczenie legend religijnych (wybranych z mitologii greckiej i Biblii) dla autorów, którzy starali się przedstawić mężczyzn i kobiety w trakcie trwania i krótko po zakończeniu rewolucji. W dziełach Władysława Orkana, Mychajła Kociubyńskiego, Andrzeja Struga widać zgodność owych religijnych form reprezentacji z poetyckim dyskursem Młodej Polski, próbą spojrzenia w rozdarty umysł i serce człowieka, prezentacją bohatera walczącego o lepszy świat, przepełnionego wątpliwościami i obawami dotyczącymi tej misji. Niczym Mojżesz Franki – większość postaci z powieści, opowiadań i poematów, które opowiadają historię rewolucji, musi zapłacić cenę swojego człowieczeństwa w czasach, kiedy mity stają się historią.