Bohemistyka, 2016, nr 1
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Item Międzynarodowa konferencja naukowa »Chaos i ład w języku i literaturze czeskiej«, Racibórz–Głubczyce 3–4.09.2015 r.(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Balowska, GrażynaItem Odešla Alena Trnková(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Hasil, JiříItem Wojna – retoryka walki, red. Joanna Goszczyńska, Wydział Polonistyki Uniwersytetu Warszawskiego, Warszawa 2015, 258 s. ISBN 978–83–64111–18–1(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Gawarecka, AnnaItem Staročeská píseň »Noci milá«(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Všetička, FrantišekOld Czech poem Noci milá from the 14th century is based on the element of integration of „milá“ (and its variations). It was also framed and provided with a punchline by an anonymous author. The whole poem composition proves that it belongs to the late Old Czech class of amorous lyrics.Item »Válka je holka moje«. Żołnierz w pieśniach Karela Kryla(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Dźwinel, KamilThe article presents a thread related to the artist’s frequent use of the subjective point of view of a wandering through the world soldier – recurrent in the songs by Karel Kryl – a Moravian bard, “troubadour of the Prague Spring”. Life on an exile, constant separation, longing and also uncertainty of what was left behind and what is yet to come – are in Kryl’s way a framework of existential issues shaping his songs. The article’s aim is also to point other theme dominants of songwriter’s creation, which allow him to articulate a full range of feelings – in its complicated multidimensionality, still with a clear presence of emptiness, loneliness, homelessness.Item Kolektywizacja po czesku – literackie obrazy przemian na czechosłowackiej wsi po II wojnie światowej(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Bielec, DorotaThe process of collectivization and modernization of the Czech and Slovak village, which took place at the turn of the 40th and 50th years of the twentieth century, in official propaganda was presented as a success story. He had to ensure the welfare of the Czechoslovak farmers to teach them modern farming, and also to realize them politically. Propaganda films from this period presents satisfied farmers who voluntarily and with a smile sticking with agricultural cooperatives. However the reality was significantly different from the picture presented to the public. This reality – of persecution, displacements, and very skeptical approach of rural residents to the communist ideologues perpetuated three literary texts, which are the basis of my reflection – these are novel of Ivan Klima Godzina ciszy, Ludvík Vaculík Sekyra and Jiří Hájíček Selský baroko. The date of their establishment is divided over 50 years and this by itself is of great importance – they stand on two poles in terms of distance in time to the events described in them. The aim of the article is therefore an attempt to confront the two images and determine whether over time the vision of those events subject to some transformations and corrections.Item Retoryka erotyzmu w prozie Milana Kundery(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Skibska, Anna MariaIn the essay, I make an attempt to explore a question of style, derived from Nietzsche’s discourse devoted to a figure of woman. Re-written subsequently by Derrida, the discourse itself turns out to be organized around the convoluted rhetoric events which are to reveal and at the same time conceal the representation of woman in both languages: of philosophy and of literature. As is well known, Kundera’s novels and essays consist in a significant and sometimes ambivalent confrontation occurring between these two languages, which also result in feminine characters’ construction often subordinated to the dominant rhetoric of eroticism. Furthermore, this rhetoric determines the dualistic perspective regarding the lovers’ relationships, according to which the image of woman is considered on different levels (i.e. as a reduction to the bodily ego, or emotional drive acting between sex and sublimation, etc.), which, however, always refer to the figurative procedure of transformation.Item Reflexe bezvýznamnosti a její možnosti zření (Milan Kundera: »Oslava bezvýznamnosti« – »La fiesta de la insignificancia«)(Komisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PRO, 2016) Urbanová, SvatavaThe study analyses the most recent novel by Milan Kundera The Festival of Insignificance. The novel explores themes such as existential models and motif variations from previous works by the author including numerous phenomenological filiations. The study theorizes about possible interpretations of the title of the book and the fates of the characters within the life struggles of the given time. It does not exclude the border between life and death. It seeks out answers to questions which emerge and are linked with the position of humans and the roles of one’s own picture of in the eyes of others. The reader becomes witness to both private and public festivals, with both of them, however, bearing the marks of their participants and being connected to the world as a theatrum mundi in which everything is relative.