Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/12218
Full metadata record
DC FieldValueLanguage
dc.contributor.authorvan Nieukerken, Arent-
dc.date.accessioned2014-11-27T10:23:23Z-
dc.date.available2014-11-27T10:23:23Z-
dc.date.issued2014-
dc.identifier.citationPrzestrzenie Teorii, 2014, nr 21, s. 59-76pl_PL
dc.identifier.isbn978-83-232-2740-3-
dc.identifier.issn1644-6763-
dc.identifier.urihttp://hdl.handle.net/10593/12218-
dc.description.abstractThe mature poetry of Tadeusz Różewicz seems to be at odds with both modernist and postmodern literary tenets. It undeniably makes abundant use of intertextuality (including self-quotations), but in spite of this [post]modernist tendency it does resist self-referential impersonality. Różewicz again immerses allusions to images, texts and other artifacts – which, according to formalist and structuralist interpretations, should disengage themselves from an artist’s biography in order to achieve aesthetic autonomy – in the current of life, devoid of an innate sense and always identical to itself. In fact, life cannot be apprehended by art, and precisely, Różewicz tries to thematize this impossibility by producing texts or rather poetical acts that could be classified as self-effacing artifacts. He even succeeded in discrediting the modernist epiphany (which has a double status, i.e. as a poetical device and a window on the transcendent) by replacing it with loquacious anticlimaxes. The fragmentary, disintegrating form of his later poetry (the long poem “Francis Bacon or Diego Velázquez in a dentist’s chair” is a perfect – or rather consciously imperfect – implementation of this form) does not pretend to be a representation of a human being’s disintegrating existence. This poetry is, above all, an existential act, or – in other words – a performance, and not a self-sufficient work of art.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.title„Francis Bacon czyli Diego Velázquez na fotelu dentystycznym” – malarskie i inne cytaty jako „dodatek” do rozpraszającego się życiapl_PL
dc.title.alternative“Francis Bacon or Diego Velázquez in a dentist’s chair” – pictorial and other kinds of quotations as an addition to a disintegrating lifepl_PL
dc.typeArtykułpl_PL
dc.identifier.doi10.14746/pt.2014.21.4-
dc.description.volume21pl_PL
dc.description.pageof5pl_PL
dc.description.pageto76pl_PL
dc.description.articlenumber4pl_PL
dc.description.journaltitlePrzestrzenie Teoriipl_PL
Appears in Collections:Przestrzenie Teorii, 2014, nr 21

Files in This Item:
File Description SizeFormat 
PT_59-76.pdf204.54 kBAdobe PDFView/Open
Show simple item record



Items in AMUR are protected by copyright, with all rights reserved, unless otherwise indicated.