Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/12223
Title: Dramatyczne konstruowanie twarzy w wybranych utworach Tadeusza Różewicza
Other Titles: Dramatic construction of faces in Tadeusz Różewicz’s selected poems
Authors: Woźniak, Ewelina
Issue Date: 2014
Publisher: Wydawnictwo Naukowe UAM
Citation: Przestrzenie Teorii, 2014, nr 21, s. 145-165
Abstract: The purpose of this article is to present Tadeusz Różewicz as a poetic portraitist. Faces very often appear in the poet’s works and they play a special role there. The methods that are used to construct them can be grouped into four main categories: 1) a face as a performing subject, 2) a face as an object, 3) a face as a static construct, and finally 4) a face as an element, or metonymy, of human existence and entanglement with reality. In Różewicz’s poetry the human face is material and a mirror, but also a universal symbol of the human condition. These faces are usually distorted, decaying, and blurred. They symbolize the disintegration of the world in which human beings have to live. For Różewicz a face is the most condensed image of humanity and an equivalent of a substance in which every external stimulus leaves its mark. The way of using faces as a material and the process of disintegration that is described in detail constitute a dramatic and performative action which implements the objectives of fluid aesthetics, thus showing the moments of transition from meaning to nothingness and the process of erasing meaning.
URI: http://hdl.handle.net/10593/12223
DOI: 10.14746/pt.2014.21.9
ISBN: 978-83-232-2740-3
ISSN: 1644-6763
Appears in Collections:Przestrzenie Teorii, 2014, nr 21

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