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dc.contributor.authorBajer, Michał-
dc.identifier.citationStudia Romanica Posnaniensia, 2014, vol. 41, nr 2 pp. 125-139pl_PL
dc.identifier.issn0137-2475 eISSN-
dc.identifier.issneISSN 2084-4158-
dc.description.abstractThe study discusses general rules of transforming Pierre Corneille’s texts in the transposition process, so as to fit the linguistic and cultural context of Polish classicism. The analysis concerns translations and adaptations following the first reception period of Corneille’s works in seventeenth-century Poland. These include: “Otto” by Stanisław Konarski, “Herakliusz” by Tomasz Aleksandrowicz from the years 1744-1749 (the second Polish reception period of Corneille’s works), “Cynna” by Franciszek Godlewski, as well as “Cynna” and “Horacjusze” by Ludwik Osiński from the years 1802-1808 (the third reception period). In the 18th century, the strategy of emphasizing didactic elements of texts is dominant. In 19th century, the authors strengthen suspense and the element of surprise; Aleksandrowicz uses prose and Osiński simplifies classical rhetoric. All of the translators share the ambition of enriching the Polish language and creating the tragic canon.pl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjecttheatrical translationpl_PL
dc.subjectPierre Corneillepl_PL
dc.subjectPolish Enlightenmentpl_PL
dc.titleLes stratégies d’adaptation de quelques tragédies de Pierre Corneille dans le courant classiciste en Pologne (XVIIIe et XIXe siècles)pl_PL
dc.title.alternativeAdaptation strategies of Cornelian tragedies in the classical movement in Poland (18th and 19th century)pl_PL
dc.description.journaltitleStudia Romanica Posnaniensiapl_PL
Appears in Collections:Studia Romanica Posnaniensia, 2014, vol. 41, nr 2

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