Please use this identifier to cite or link to this item:
Title: Necrophelia and the strange case of afterlife
Authors: Sosnowska, Monika
Keywords: Ophelia
popular culture
feminist criticismv
representations of the body
Issue Date: 2013
Publisher: Adam Mickiewicz University
Citation: Studia Anglica Posnaniensia, vol. 48.2-3 (2013), pp. 103-123
Abstract: Drawing on Allan Edgar Poe’s provocative statement that “The death ... of a beautiful woman is, unquestionably, the most poetic topic in the world” (1951: 369), I will focus on the pivotal role of Shakespeare’s Ophelia in attesting to this assertion. Ophelia’s drowning is probably the most recognizable female death depicted by Shakespeare. Dating back to Gertrude’s “reported version” of the drowning, representations of Ophelia’s eroticized death have occupied the minds of Western artists and writers. Their necrOphelian fantasies materialized as numerous paintings, photographs and literary texts. It seems that Ophelia’s floating dead body is also at the core of postmodern thanatophiliac imagination, taking shape in the form of conventionalized representations, such as: video scenes available on YouTube, amateur photographs in bathtubs posted on photo sharing sites, reproductions and remakes of classical paintings (e.g. John Everett Millais), and contemporary art exhibitions in museums. These references will demonstrate that new cyber story – digital afterlife – is being built around the figure of Shakespearean Ophelia, unearthing the sexual attraction of the lifeless female body.
ISSN: 0081-6272
Appears in Collections:Studia Anglica Posnaniensia, 2013 vol. 48.2-3

Files in This Item:
File Description SizeFormat 
[Studia Anglica Posnaniensia] NECROPHELIA AND THE STRANGE CASE OF AFTERLIFE.pdf190.61 kBAdobe PDFView/Open
Show full item record

This item is licensed under a Creative Commons License Creative Commons