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dc.contributor.authorLair, Samuel-
dc.date.accessioned2012-08-17T06:24:01Z-
dc.date.available2012-08-17T06:24:01Z-
dc.date.issued2008-
dc.identifier.citationStudia Romanica Posnaniensia, 2008, vol. 35, pp. 49-65pl_PL
dc.identifier.isbn978-83-232174-7-3-
dc.identifier.issn0137-2475-
dc.identifier.urihttp://hdl.handle.net/10593/3195-
dc.description.abstractIn Mirbeau's novel Le Jardin des supplices (1899), the circular representation, completed and relayed by design of the plant, should be read violently. The reader conceives some philosophical influences or convergences. The Narcissus myth is subjected here to a literary transmutation. The novel tells a personal obsession; it becomes a reconciliation between earlier fictions [L'Abbé Jules (1888), Dans le ciel (1892-1893)] and his dramatic work which is coming.pl_PL
dc.language.isofrpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.subjectMirbeau Octavepl_PL
dc.subjectJardin des supplicespl_PL
dc.titleUne illustration littéraire du mythe de l'Éternel Retour : « Le Jardin des supplices » d'Octave Mirbeau (1899)pl_PL
dc.title.alternativeLe Jardin des supplices of Octave Mirbeau as a literary illustration of the eternal return myth (1899)pl_PL
dc.typeArtykułpl_PL
Appears in Collections:Studia Romanica Posnaniensia, 2008, vol. 35

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