Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3440
Title: Mozart i śpiewacy: ograniczenie czy inspiracja?
Authors: Brandenburg, Daniel
Keywords: Mozart
opera
Italian singing conventions
composing for singers
18th century music
Issue Date: 2010
Publisher: Wydawnictwo Naukowe UAM w Poznaniu; Wydawnictwo PWSFTViT w Łodzi
Citation: "Images" 2009, nr 13-14 (vol. 7), pp. 87-96
Abstract: Stefan Kunze called the time before Mozart settled in Vienna the years of migration and study. Daniel Brandenburg in his article shows that in reference to the operas composed by young Mozart for Milan (Mitridate re di Ponto, 1770, Lucio Silla, 1772) and Munich (Idomeneo re di Creta, 1781), the process of education meant also mastering the Italian singing conventions. Composing for singers appears to be an inspirational task, although it was limited in various ways. That double effect is recorded in Mozart’s scores.
URI: http://hdl.handle.net/10593/3440
ISSN: 1731-450X
Appears in Collections:Images, nr 13-14, 2009-2010

Files in This Item:
File Description SizeFormat 
Brandenburg.pdf271.85 kBAdobe PDFView/Open
Show full item record



Items in AMUR are protected by copyright, with all rights reserved, unless otherwise indicated.