Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/3911
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dc.contributor.authorLisa, Zeidler Källström-
dc.date.accessioned2012-11-24T13:45:09Z-
dc.date.available2012-11-24T13:45:09Z-
dc.date.issued2003-
dc.identifier.citationFolia Scandinavica Posnaniensia, vol. 7, 2003, pp. 27-37.pl_PL
dc.identifier.isbn83-232-1679-7-
dc.identifier.issn1230-4786-
dc.identifier.urihttp://hdl.handle.net/10593/3911-
dc.description.abstractIt is highly characteristic of the Swedish postmodern fiction that it is trying to destroy the differences between pure fiction and reahty, between the action taking place and the narration itself, only the bare bone hyperreality should remain. The meetings between the fictitious and the real existing persons must be seen as an attempt to take a fmal step beyond this border. There exists no absolute truth and that is the reason why there cannot be any lie, there is nothing left but the authentic, autistic narration, which can sometimes be autobiographic or horrifying, but always referring to other already written literaturę.pl_PL
dc.language.isootherpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleOm den svenska postmodernismenpl_PL
dc.typeArtykułpl_PL
Appears in Collections:Folia Scandinavica Posnaniensia, 2003, nr 7

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