Rashomon: Kinematografia okresu PRL
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Date
2012
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza
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Abstract
This text deals with the reality of film production in Polish cinematography during the socialist
period. The author presents arguments against the common perception of socialist (“evil communists”)
and brave anti-socialist, oppositionist film-makers (“our heroes”) as contradictory. The
actual field of cinematography was much more nuanced and fluid. What is more, nowadays it is
perceived from several different, general perspectives, like in Kurosawa’s classic drama. Therefore,
the real state of affairs in Polish cinematography during the previous decades still needs careful
scholarly examination and solid archival research.
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Człowiek i Społeczeństwo, 34/2012, s. 177-195