Please use this identifier to cite or link to this item: https://hdl.handle.net/10593/6184
Title: Thematischer gehalt und dramatisches geschehen im platonisczen dialog. Sokrates und die "umwendung der ganzen seele" oder zur audiovisualität der platonischen dialoge
Authors: Königshausen, Johann-Heinrich
Issue Date: 2012
Publisher: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza
Citation: Człowiek i Społeczeństwo, 34/2012, s.221-233
Abstract: During Plato’s lifetime it was a very common thing to read loud circulating writings or let them be read by others. It is said that Plato initially wanted to write tragedies. And he undoubtedly created dramas, which are performed in the mind of the reader, listener and viewer. Therefore, the addressee of a Platonic dialogue is, in principle, not only a listener, but also a spectator. We can hear what is being said by an actor (a character) and we can see his acting; and if the stage is too far away, then distant, no longer visible events are “told” to the viewers. Thus, as for the philosophical reading of the Greek classics, one should not only read the written texts, but also watch what is being shown by the characters’ play (arguments).
URI: http://hdl.handle.net/10593/6184
ISSN: 0239-3271
Appears in Collections:Człowiek i Społeczeństwo, 34/2012

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