Obraz, nieobecność i moment krytyczny (Uwagi o pewnej frazie Jaspera Johnsa)

dc.contributor.authorLeśniak, Andrzej
dc.date.accessioned2013-12-30T21:33:25Z
dc.date.available2013-12-30T21:33:25Z
dc.date.issued2007
dc.description.abstractThe experience of Minimal Art tells us that a visual object can confront us with absence. The minimal objects are absent - they do not recall any past, they do not refer to any story that might be their source. At least this is the very first impression...But this situation does not make all the utterances concerning these objects impossible. It is rather the opposite - the absence of story, the negation of history is the beginning of another way of writing about art.pl_PL
dc.identifier.citationPrzestrzenie Teorii, nr 8, 2007, s. 43-52.pl_PL
dc.identifier.isbn978-83-232187-5-3
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/9443
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleObraz, nieobecność i moment krytyczny (Uwagi o pewnej frazie Jaspera Johnsa)pl_PL
dc.title.alternativePicture, absence and critical moment (Remarks on a certain phrase of Jasper Johns)pl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego