Visconti w Wenecji
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Date
2012
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Publisher
Wydawnictwo Naukowe UAM w Poznaniu
Title alternative
Visconti in Venice
Abstract
Luchino Visconti’s masterpiece “Death in Venice” (“La morte in Venezia”) has the reputation of
being a quintessential work of European art film, the epitome of 1970s auteur cinema, one of the
most impressive film poems ever made. Based on famous novel written by Thomas Mann in 1911
(after Gustav Mahler’s death), it is a profound and intriguing artwork concerned at its depth to
communicate the most important human meanings like the essence of death or powerfully symbolic
depiction of 19th Europe ideas and values in a fascinating filmic imagery.
The 1971 film adaptation is not only a lament for a lost nobility and a swan song for human sublime
forms of life created by the noble class, but also an epic panorama of the old Europe that
evokes the cultural upheaval brought on by the collapse of ‘la belle époque’.
In his comparative study Marek Hendrykowski explores central motifs of the literary and film
versions of “Death in Venice” and expands on this contention, pinpointing the various sources of
the film’s uniquely impressive effect. Hendrykowski’s contextual analysis and interpretation,
written in a lively and accessible style, traces the complex motifs that run through “Death in Venice”
and discovers step by step the elements (Mahler’s music, the use of authentic locations, high
culture vs mass culture conflict, biographical background, etc.) evoked and appealed in Visconti’s
film.
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Citation
Przestrzenie Teorii, nr 18, 2012, str. 155-172
Seria
ISBN
978-83-232-2479-2
ISSN
1644-6763