Thematischer gehalt und dramatisches geschehen im platonisczen dialog. Sokrates und die "umwendung der ganzen seele" oder zur audiovisualität der platonischen dialoge
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Date
2012
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Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza
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Abstract
During Plato’s lifetime it was a very common thing to read loud circulating writings or let them be
read by others. It is said that Plato initially wanted to write tragedies. And he undoubtedly created
dramas, which are performed in the mind of the reader, listener and viewer. Therefore, the addressee
of a Platonic dialogue is, in principle, not only a listener, but also a spectator. We can hear what is
being said by an actor (a character) and we can see his acting; and if the stage is too far away, then
distant, no longer visible events are “told” to the viewers. Thus, as for the philosophical reading of
the Greek classics, one should not only read the written texts, but also watch what is being shown
by the characters’ play (arguments).
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Człowiek i Społeczeństwo, 34/2012, s.221-233
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0239-3271