Libretto jako (u)twór. Zagadnienia genologiczne i metodologiczne – zarys problematyki
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Date
2014
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Wydawnictwo Naukowe UAM
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The libretto as a genre: problems and approaches
Abstract
This article deals with issues connected with defining the libretto in the light of genre classification
and the function that libretti perform as part of musical compositions. Libretti, which are marginalized
by both literary theory and musicological research, are considered to be dependent texts
even though most libretti are compositionally complete and can be analyzed by using the concepts
of literary theory. At the same time, although the libretto is not an independent genre, it has
its own subgenres which are identified based on the subject matter, function and structural properties
(e.g. tragedy, comedy and farce).
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Citation
Przestrzenie Teorii, 2014, nr 22, s. 89-100
ISBN
978-83-232-2827-1