Libretto jako (u)twór. Zagadnienia genologiczne i metodologiczne – zarys problematyki

dc.contributor.author	Walczak, Jakub
dc.date.accessioned	2015-07-06T08:05:30Z
dc.date.available	2015-07-06T08:05:30Z
dc.date.issued	2014
dc.description.abstract	This article deals with issues connected with defining the libretto in the light of genre classification and the function that libretti perform as part of musical compositions. Libretti, which are marginalized by both literary theory and musicological research, are considered to be dependent texts even though most libretti are compositionally complete and can be analyzed by using the concepts of literary theory. At the same time, although the libretto is not an independent genre, it has its own subgenres which are identified based on the subject matter, function and structural properties (e.g. tragedy, comedy and farce).	pl_PL
dc.description.articlenumber	5	pl_PL
dc.description.journaltitle	Przestrzenie Teorii	pl_PL
dc.description.pageof	89	pl_PL
dc.description.pageto	100	pl_PL
dc.description.volume	22	pl_PL
dc.identifier.citation	Przestrzenie Teorii, 2014, nr 22, s. 89-100	pl_PL
dc.identifier.doi	https://doi.org/10.14746/pt.2014.22.5
dc.identifier.isbn	978-83-232-2827-1
dc.identifier.issn	1644-6763
dc.identifier.uri	http://hdl.handle.net/10593/13543
dc.language.iso	pl	pl_PL
dc.publisher	Wydawnictwo Naukowe UAM	pl_PL
dc.rights	info:eu-repo/semantics/openAccess	pl_PL
dc.title	Libretto jako (u)twór. Zagadnienia genologiczne i metodologiczne – zarys problematyki	pl_PL
dc.title.alternative	The libretto as a genre: problems and approaches	pl_PL
dc.type	Artykuł	pl_PL

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