Elektroniczna performatywność. John Cage i Nam June Paik
| dc.contributor.author | Krawczak, Michał | |
| dc.date.accessioned | 2022-04-05T12:33:15Z | |
| dc.date.available | 2022-04-05T12:33:15Z | |
| dc.date.issued | 2013-04 | |
| dc.description.journaltitle | Glissando. Magazyn o muzyce współczesnej | pl |
| dc.description.number | 21 | pl |
| dc.description.pageof | 56-59 | pl |
| dc.identifier.citation | Glissando. Magazyn o muzyce współczesnej 2013, nr 21, pp. 56-59. | pl |
| dc.identifier.issn | 1733-4098 | |
| dc.identifier.uri | https://hdl.handle.net/10593/26788 | |
| dc.language.iso | pol | pl |
| dc.rights | info:eu-repo/semantics/openAccess | pl |
| dc.rights.uri | http://creativecommons.org/publicdomain/zero/1.0/ | * |
| dc.subject | performance art | pl |
| dc.subject | sound art | pl |
| dc.subject | performative turn | pl |
| dc.subject | sztuka nowoczesna | pl |
| dc.title | Elektroniczna performatywność. John Cage i Nam June Paik | pl |
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