„Nije na pjesniku da se klanja kralju”. Pozicija disidenta u hrvatskoj teatrologiji – slučaj Ivšić

dc.contributor.authorPetranović, Martina
dc.date.accessioned2014-09-23T08:59:29Z
dc.date.available2014-09-23T08:59:29Z
dc.date.issued2014
dc.description.abstractThe paper discusses the position of Croatian playwright Radovan Ivšić in Croatian theatre historiography, before and after the independence of Croatia in the nineties. The research results point to three major phases in Ivšić’s reception in Croatian theatre historiography – the rejection, acceptance and canonization.pl_PL
dc.description.articlenumber14pl_PL
dc.description.journaltitlePoznańskie Studia Slawistycznepl_PL
dc.description.number6pl_PL
dc.description.pageof205pl_PL
dc.description.pageto218pl_PL
dc.identifier.citationPoznańskie Studia Slawistyczne, 2014, nr 6, s.205–218pl_PL
dc.identifier.doihttps://doi.org/10.14746/pss.2014.6.14
dc.identifier.isbn978-83-63795-51-1
dc.identifier.issn2084-3011
dc.identifier.urihttp://hdl.handle.net/10593/11554
dc.language.isootherpl_PL
dc.publisherWydawnictwo Nauka i Innowacjepl_PL
dc.subjectRadovan Ivšićpl_PL
dc.subjectCroatian theatrepl_PL
dc.subjectCroatian theatre studiespl_PL
dc.subjecttheatre historiographypl_PL
dc.subjectdissidentpl_PL
dc.title„Nije na pjesniku da se klanja kralju”. Pozicija disidenta u hrvatskoj teatrologiji – slučaj Ivšićpl_PL
dc.title.alternative„It’s not on the Poet to Bow to the King”. The Dissident’s Position in Croatian Theatre Studies – the Ivšić Casepl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego