Karnawał – największe party świata Andrzeja Fidyka jako widowisko pełne kontrastów

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dc.contributor.authorFiołek-Lubczyńska, Bogumiła
dc.date.accessioned2013-06-06T08:09:03Z
dc.date.available2013-06-06T08:09:03Z
dc.date.issued2012
dc.description.abstractIn this documentary A. Fidyk is an anthropologist equipped with a film camera. He presents Rio during the carnival as a space of cultural and social diversity. Rio is visibly replete with social contrasts: the extreme poverty of the homeless exists alongside the luxury of the bicheiros. While some die of poverty – as the film’s narrator states – others die of fear. However, everyone is equal within the cultural dimension of the carnival, during the Samba Schools Parades at the Rio Sambadrome, occurring three days before Ash Wednesday. In his documentary Fidyk depicts a spectacle which is deeply rooted in tradition; as an explorer of culture, he draws the viewer’s attention to this culture’s unifying features.pl_PL
dc.identifier.citationStudia Kulturoznawcze, 2012, nr 1(2), s. 83 - 92.pl_PL
dc.identifier.issn2084-2988
dc.identifier.urihttp://hdl.handle.net/10593/6442
dc.language.isoplpl_PL
dc.publisherWydawnictwo Wydziału Nauk Społecznych Uniwersytetu im. Adama Mickiewicza w Poznaniupl_PL
dc.relation.ispartofseriesStudia Kulturoznawcze;
dc.subjectwidowisko kulturowepl_PL
dc.subjectproces rytualnypl_PL
dc.subjectantystrukturapl_PL
dc.subjectAndrzej Fidykpl_PL
dc.titleKarnawał – największe party świata Andrzeja Fidyka jako widowisko pełne kontrastówpl_PL
dc.typeArtykułpl_PL

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Studia Kulturoznawcze, 2012, nr 1(2)