Imperial (s)kin: The orthography of the wake in Esi Edugyan’s "Washington Black"

dc.contributor.authorŠlapkauskaitė, Rūta
dc.date.accessioned2021-02-21T21:42:59Z
dc.date.available2021-02-21T21:42:59Z
dc.date.issued2020
dc.description.abstractThe publication of Esi Edugyan’s Washington Black has placed the novel among other works of history and art, which recall the material and epistemic violence of institutional racism and the lasting trauma of its legacy. Thus by interlacing, within the context of black critical theory, Yogita Goyal’s and Laura T. Murphy’s examining of the neo-slave narrative with Christina Sharpe’s conceptualization of the wake and Alexander G. Weheliye’s notion of habeas viscus as critical frames for the discussion of racialized subjectivity, I consider how Edugyan’s use of the conventions of Victorian adventure literature and the slave narrative rethinks the entanglements between the imperial commodification of life and the scientific agenda of natural history. Given how the narrative emphasizes the somatic register and its epidermal terms as a scene of meaning, I bring together Frantz Fanon’s idea of epidermalization, Steven Connor’s phenomenological reading of the skin, and Calvin L. Warren’s reasoning about blackness in an attempt to highlight the metalepsis resulting from the novel’s use of the hot air-balloon and the octopus as dermatropes that cast the empire as simultaneously a dysfunctional family and a scientific laboratory. Loaded into the skin as a master trope is the conceptual cross-over between consciousness and conscience, whose narrative performance in the novel nourishes the affective labour of its reader as an agent of memory.pl_PL
dc.identifier.citationStudia Anglica Posnaniensia vol. 55, 2020, pp. 465-494pl_PL
dc.identifier.doihttps://doi.org/10.2478/stap-2020-0023
dc.identifier.urihttps://hdl.handle.net/10593/26124
dc.language.isoengpl_PL
dc.rightsinfo:eu-repo/semantics/openAccesspl_PL
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectskinpl_PL
dc.subjectracialized subjectpl_PL
dc.subjectwakepl_PL
dc.subjectslave narrativepl_PL
dc.subjectepidermalizationpl_PL
dc.subjectdermatropepl_PL
dc.subjecthabeas viscuspl_PL
dc.titleImperial (s)kin: The orthography of the wake in Esi Edugyan’s "Washington Black"pl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego