Adaptacja filmowa – przekładem czy montażem?

dc.contributor.authorWysłouch, Seweryna
dc.date.accessioned2015-07-06T07:49:16Z
dc.date.available2015-07-06T07:49:16Z
dc.date.issued2014
dc.description.abstractThis article presents arguments against some of the ideas presented in Marek Hendrykowski’s paper Adaptacja jako przekład intersemiotyczny [Adaptation as intersemiotic translation] („Przestrzenie Teorii” [Space of Theory] no. 20 (2013). The author challenges two assumptions: 1) the list of translation operations which was proposed by Hendrykowski and which she considers to be heterogeneous: these operations are performed either on a text’s surface (rhetorical operations) or in its deep structure (transaccentuation, compression and amplification); and 2) the concept of adaptation which is understood as montage, since the idea of montage restricts the issue of translation to compositional activities and isolates it from sources of hermeneutic and cognitive inspiration.pl_PL
dc.description.articlenumber13pl_PL
dc.description.journaltitlePrzestrzenie Teoriipl_PL
dc.description.pageof223pl_PL
dc.description.pageto227pl_PL
dc.description.volume22pl_PL
dc.identifier.citationPrzestrzenie Teorii, 2014, nr 22, s. 223-227pl_PL
dc.identifier.doihttps://doi.org/10.14746/pt.2014.22.13
dc.identifier.isbn978-83-232-2827-1
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/13529
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.rightsinfo:eu-repo/semantics/openAccesspl_PL
dc.titleAdaptacja filmowa – przekładem czy montażem?pl_PL
dc.title.alternativeA film adaptation – a translation or montage?pl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego