„Nagie życie” Wieniczki Jerofiejewa, czyli Moskwa-Pietuszki z perspektywy teorii montażu Sergieja Eisensteina

dc.contributor.authorWaligórska-Olejniczak, Beata
dc.date.accessioned2014-09-25T08:50:50Z
dc.date.available2014-09-25T08:50:50Z
dc.date.issued2011
dc.description.abstractThe article is an attempt to conduct a comparative analysis of Venedikt Erofeev’s Moscow-Petushki in the context of Sergei Eisenstein’s theory of montage, which was derived from the combination of montage of attractions, analogies and antitheses. Treating Eisenstein’s experience as the point of reference I focus on the techniques used in Erofeev’s text, whose target are the reactions of the virtual recipient, for example the juxtaposition of apparently unconnected shots in order to shock the reader. My paper turns attention to the use made of various artistic means such as the leitmotif of alcohol consumption exposed in the poem, pauses, counterpoints or manipulation of emotionally intensified episodes.pl_PL
dc.identifier.citationPrzegląd Humanistyczny nr 4(427), 2011, s. 31-39pl_PL
dc.identifier.issn0033-2194
dc.identifier.urihttp://hdl.handle.net/10593/11663
dc.language.isoplpl_PL
dc.publisherWydawnictwa Uniwersytetu Warszawskiegopl_PL
dc.subjectJerofiejewpl_PL
dc.subjectErofeevpl_PL
dc.subjectMoskwa-Pietuszkipl_PL
dc.subjectMoscow-Petushkipl_PL
dc.subjectEisensteinpl_PL
dc.subjectmontażpl_PL
dc.subjectPudowkinpl_PL
dc.subjectBergsonpl_PL
dc.subjectintertekstpl_PL
dc.subjectWirtualna kamerapl_PL
dc.subjectlejtmotywpl_PL
dc.subjectalkoholpl_PL
dc.title„Nagie życie” Wieniczki Jerofiejewa, czyli Moskwa-Pietuszki z perspektywy teorii montażu Sergieja Eisensteinapl_PL
dc.title.alternative„Naked life” of Venitchka Erofeev, or Moscow-Petushki from the point of view of Sergei Eisenstein’s theory of montagepl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego