Acheiropoietes – mimesis doskonała?

dc.contributor.authorZawadzki, Andrzej
dc.date.accessioned2014-11-27T12:29:01Z
dc.date.available2014-11-27T12:29:01Z
dc.date.issued2014
dc.description.abstractThe paper deals with the topic of an acheiropoietes (an image “not made by hands”) and, more broadly, with the motif of the so-called true or natural image. Such images were known to ancient Greek thinkers (Dionysius of Halicarnassus and Plotinus), but their importance grew significantly in the Christian theology of icons which treated Christ as the perfect image of His Father. In modern times true images mostly function in folklore and they are also referred to in modern art. From the perspective of the philosophy of representation, a true image is an interesting utopia of perfect mimesis – it comes into being in a natural, not artificial way, whereas a copy is regarded as equivalent to the original.pl_PL
dc.description.articlenumber13pl_PL
dc.description.journaltitlePrzestrzenie Teoriipl_PL
dc.description.pageof211pl_PL
dc.description.pageto217pl_PL
dc.description.volume21pl_PL
dc.identifier.citationPrzestrzenie Teorii, 2014, nr 21, s.211-217pl_PL
dc.identifier.doihttps://doi.org/10.14746/pt.2014.21.13
dc.identifier.isbn978-83-232-2740-3
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/12228
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleAcheiropoietes – mimesis doskonała?pl_PL
dc.title.alternativeAcheiropoietes – perfect mimesis?pl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego