»Kříž u potoka« Karolíny Světlé

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dc.contributor.authorVšetička, František
dc.date.accessioned2018-03-05T12:47:07Z
dc.date.available2018-03-05T12:47:07Z
dc.date.issued2017
dc.description.abstractIn her novel Kříž u potoka (1868) Karolína Světlá applied a contrastive principle, which is seen mostly in the relationships between her characters. A part of this principle is represented by vertical space completed by a place of horror (locus horridus). The place of horror is twofold in this novel, the latter is related to the anticipant character (a holy old women). The novel is framed in two ways – in a mortal and a local way. The opening of the novel is represented by Vorgeschichte, while the rest of the story is covered in the superstitious time.pl
dc.identifier.citationBohemistyka, 2017, nr 3, s. 257-265pl
dc.identifier.issn1642–9893
dc.identifier.urihttp://hdl.handle.net/10593/21757
dc.language.isootherpl
dc.publisherKomisja Slawistyczna PAN, Oddział w Poznaniu, IFS UAM, Wydawnictwo PROpl
dc.rightsinfo:eu-repo/semantics/openAccesspl
dc.subjectKarolína Světlápl
dc.subjectcontrastive principlepl
dc.subjectvertical spacepl
dc.subjectlocus horriduspl
dc.subjectanticipantpl
dc.subjectmortal framingpl
dc.subjectlocal framingpl
dc.subjectVorgeschichtepl
dc.subjectsuperstitious timepl
dc.title»Kříž u potoka« Karolíny Světlépl
dc.typeArtykułpl

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Bohemistyka, 2017, nr 3