Epistemic disobedience and decolonial healing in Norma Elía Cantú’s "Canícula"

dc.contributor.authorPoks, Małgorzata
dc.date.accessioned2017-08-30T07:48:16Z
dc.date.available2017-08-30T07:48:16Z
dc.date.issued2015
dc.description.abstractUsing the U.S.-Mexican border as the place of enunciation, Cantú’s autoethnobiographical novel insists on the materiality of the border, especially for those living on its southern side, while simultaneously deconstructing it as artificial – a line splitting families and assigning nationalities on an arbitrary basis. Being a collage of photographs from the time the writer was growing up in southern Texas and the cuentos inspired by these visuals, Cantú’s Canícula documents how border crossings and re-crossings become symptomatic of living in a liminal space and how they destabilize the concept of nationality as bi-national families must learn to live with ambiguity. On the one hand, there is the undeniable materiality of the border, with its pain, fear, deportations, and other discriminatory practices; on the other, there is a growing border community of resistance cultivating the memory that they are not immigrants, that they lived in Texas before the Guadalupe-Hidalgo treaty. The paper examines the community’s strategies of survival in the contested cultural and social space and advances the thesis that, giving her community an awareness of its homogeneity and reclaiming its place within the larger socio-political context, Cantú becomes an agent of empowerment and change. She helps decolonize knowledge and being.pl_PL
dc.identifier.citationStudia Anglica Posnaniensia, vol. 50.2-3 (2015), pp. 63-80pl_PL
dc.identifier.issn0081-6272
dc.identifier.urihttp://hdl.handle.net/10593/19236
dc.language.isoengpl_PL
dc.publisherAdam Mickiewicz Universitypl_PL
dc.rightsinfo:eu-repo/semantics/openAccesspl_PL
dc.subjectU.S.-Mexican borderpl_PL
dc.subjectautoethnobiographical novelpl_PL
dc.subjectCanículapl_PL
dc.subjectNorma Elia Cantúpl_PL
dc.subjectChicana literaturepl_PL
dc.titleEpistemic disobedience and decolonial healing in Norma Elía Cantú’s "Canícula"pl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego