Lingwizm jako antropomorfizm. Wokół poetyckiej historiozofii Zbigniewa Bieńkowskiego

dc.contributor.authorStankowska, Agata
dc.date.accessioned2014-02-28T14:41:04Z
dc.date.available2014-02-28T14:41:04Z
dc.date.issued2013
dc.description.abstractThe sketch presents the reconstruction of Zbigniew Bieńkowski’s theory of linguistic poetry. This author who is classified by critics and researchers as a member of linguistic poetry movement is by no means uncritical of its various perspectives and accomplishments. This complicated approach is reflected in the dispute that Bieńkowski was engaged in with Karpowicz and the poets of the New Wave in his critical sketches. He unfairly accuses them of being too minimalistic and of paying too much attention to linguistic experiments. He claims that distrust of language and its communicative functions in New Wavers’ programs overshadowed the broad philosophical and ideological functions of word games. Instead he proposed his own poetological project “Trzy poematy” [“Three poems”], where avant-garde traditions mingled with symbolist ones and called for breaking the numbness of language for broader, idealistic purposes. Referring to Vico’s historiosophy, Bieńkowski wishes to treat linguistic poetry both as a tool (a trick) and space for intervention, whose final purpose is to rebuild the anthropogenic locus amoenus in language.pl_PL
dc.identifier.citationPrzestrzenie Teorii, 2013, nr 19, s. 41-56pl_PL
dc.identifier.isbn978-83-232-2600-0
dc.identifier.issn1644-6763
dc.identifier.urihttp://hdl.handle.net/10593/10165
dc.language.isoplpl_PL
dc.publisherWydawnictwo Naukowe UAMpl_PL
dc.titleLingwizm jako antropomorfizm. Wokół poetyckiej historiozofii Zbigniewa Bieńkowskiegopl_PL
dc.title.alternativeLinguistic poetry and anthropomorphism. Around Zbigniew Bieńkowski’s poetic historiosophypl_PL
dc.typeArtykułpl_PL

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Uniwersytet im. Adama Mickiewicza w Poznaniu
Biblioteka Uniwersytetu im. Adama Mickiewicza w Poznaniu
Ministerstwo Nauki i Szkolnictwa Wyższego