Dramat jako filozofia dramatu. Na przykładzie twórczości Tadeusza Różewicza
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Date
2002
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Wydawnictwo Naukowe UAM
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Drama as a philosophy of itself. Based on Tadeusz Różewicz's drama
Abstract
Tadeusz Różewicz's drama becomes philosophy in two ways. It poses the same questions as
philosophy does (about the sense and the aim of human life) and it uses the same methods of
expressing itself (it converses with other works, the world, the reader and the writer). Różewicz
destroys the old drama rules to re-use them in order to construct some new ones and he rebuilds
the world using these rules. However, the newly-built forms don't resemble the classical drama. The
boundary between life and art disappears. Paradoxically, it turns out that destruction can be a tool
to unite the world. In Różewicz's world everything loses its identity. On the level of genetic rules a
fragment appears, whereas, on the philosophical level there is the idea of imperfection.
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Citation
Przestrzenie Teorii nr 1, 2002, s. 193-204
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ISBN
1644-6763
ISSN
978-83-232-2077-0